In the slack times last winter, one Saturday night, I watched
nearly all of Mary Poppins. The television show was hosted by an old Dick Van Dyke,
starred a young Dick Van Dyke.
When Dick, the baritone of our barbershop quartet,
invited us and our wives to attend Mary
Poppins at the local dinner theater, I had some misgivings. How could live theater come close to the
special effects of the movie, or the perfected musical numbers coming through
the television speakers?
No worry.
The live performance, somewhat different than the movie version, was far
superior to the movie. The small
orchestra in the pit (which we were privileged to see up close at hand), the
live singers, left the canned version in the dust
Mary flew all over the stage and even
floated across the auditorium to light in the balcony near where we sat. Bert walked horizontally up the brick chimney
and did a few back flips over the London chimneys of the backdrop.
Two major sets rolled on and off, the
family front room and the kids’ bedroom.
A tree which Bert reproduced in paint on canvas (I didn’t remember Bert
being an artist as well as a chimney sweep) took us to the park. Pillars suggested street scenes and the bank.
The statuary in the park got my
attention. The three-person figure
rolled on and sat there during a couple of songs and dances. I was half-asleep when one of the figures
leapt off the sculpture and joined the song and dance. What! That was a live person? Soon the other two brass figures leapt off
their perch. I woke up. How could they have remained motionless for
so long?
The evening didn’t start so auspiciously
for the acting company. We arrived, were
seated and enjoying a libation by 6:30 or so.
About fifteen minutes before show time, the lights suddenly dimmed. Time for the show? No, the background music stopped with the
lights.
I took a little trip out the balcony,
through the door, down the narrow hallway to the stairs down to the main lobby
to the men’s room. Two guys were trying
to contact an electrician who would come help them find the faulty breaker
causing the problem. They couldn’t find
it.
On my return to our tables in the balcony,
the four of us stood next to each other.
One of the wives looked at us and said, “If you guys sing, I’ll hide.” To demonstrate, she lay down on two chairs
below table level.
The show wasn’t starting, so we headed for
the narrow hallway, closing the door to the balcony so as not to disturb other
patrons. We sang ”Hi Neighbor”, softly,
a song we are trying to learn.
About half through the song, this young
lady in gown, obviously one of the acting company joined us. When we finished, she said, “Time for Lida Rose isn’t it?”
“Do you know the
descant?” Rex asked.
“Well, maybe. I’ll try it.”
We sang Lida Rose, she sang
the descant, but when we sang together with her it didn’t go too well. While we were singing together, four or five
more members of the acting company came around the corner leading to the
stairway into the narrow hallway to observe.
They roundly applauded us even though our efforts ended not with a bang
but a whimper.
We had been gone
long enough, better get back to the ladies.
One of the ladies informed us that there had been an accident on a
nearby street corner. A transformer box
or some such electrical device was a casualty, causing the theater’s
brownout. Nothing to do but wait until
the power returned when lights and sound could function.
Meanwhile, Marsha
reversed her field. “People are
bored. Go down. Sing for them. Go on, get down on stage and sing,” she
ordered.
I tucked my shy
bones in the middle of the quartet as we filed down the walkway. The two outgoing members struck up
conversations with patrons sitting at the tables along the walkway, softening
them up against our audacity in taking over the stage of our own volition.
Up the steps and
onto the stage, we were surprised to see musicians sitting patiently and
invisible to the audience in the small orchestra pit. Rex announced we were a barbershop quartet
and we were going to sing a number or two while we waited for the power to come
back on.
The orchestra
guys smiled and teased us a little and offered to give us a pitch, but Dick
pulled out his pitch pipe and said we were probably better off using it. We sang happy birthday to honor the
birthdays. One of the birthday gang was
Mary Lou, so we sang “Hello, Mary Lou” to her.
Not wanting to overstay
our so far nice welcome, we prepared to leave.
A few people said sing one more.
As Dick was trying to blow the pitch for “When I’m 64”, the PA system
suddenly came on. The power was
back. Somebody somewhere shut the
speakers down, we did “64” and left to good cheers.
As we filed
back up the pathway towards our place in the balcony, we got lots of high fives
and “Good Jobs” and “Way to go’s.” We
missed the emcee’s thank you to us as we were mounting the stairway and filing
down the narrow hallway to our seats. During
the intermission when the actor-waiters delivered the dessert, our guy informed
us that the manager had “comped” our dessert as a thank you for helping entertain
his audience during the power outage.
After the show,
as we worked our way through the lobby, some folks complimented us and thanked
us. One gal wanted our contact
information to hire us for some program she was doing. Wouldn’t you know it, none of us had a
business cards with us. Not very good boy
scouts, not being prepared always, were
we.
We
have had a phenomenal run of good luck in performing for appreciative audiences
lately. Now to avoid swollen egos. If enough people tell you how good you are,
it’s easy to believe it. I can see how
performers and musicians get such big egos.
All four of us
agreed it was a good thing the power outage occurred before the show. We would never
have had the nerve to follow the real performers. In the end, we flew our kite for a brief moment,
and it was fun.